Fundy's Echo Read online

Fundy’s Echo

  Excerpts and Appreciations of Longfellow C. Doug Blair, 2012

 

  "The old man sat upon the dock. Bare feet could pat the water...Longfellow". My Dad used to recite this jokingly when converstaion came around to poetry. Mom was the rhymer. He told the gentle, amusing stories. Son number one is a strange combination of each. And a special love for Longfellow. Let's talk about him and his, and the time, places and faith portrayed.

  Almost Feel the Lake

  Part VIII: Hiawatha's Fishing

  Forth upon the Gitche Gumee,

  On the shining Big-Sea-Water,

  With his fishing-line of cedar,

  Of the twisted bark of cedar,

  Forth to catch the sturgeon Nahma,

  Mishe-Nahma, King of Fishes,

  In his birch canoe exulting

  All alone went Hiawatha.

  Through the clear, transparent water

  He could see the fishes swimming

  Far down in the depths below him;

  See the yellow perch, the Sahwa,

  Like a sunbeam in the water,

  See the Shawgashee, the craw-fish,

  Like a spider on the bottom,

  On the white and sandy bottom.

  At the stern sat Hiawatha,

  With his fishing-line of cedar;

  In his plumes the breeze of morning

  Played as in the hemlock branches;

  On the bows, with tail erected,

  Sat the squirrel, Adjidaumo;

  In his fur the breeze of morning

  Played as in the prairie grasses.

  On the white sand of the bottom

  Lay the monster Mishe-Nahma,

  Lay the sturgeon, King of Fishes;

  Through his gills he breathed the water,

  With his fins he fanned and winnowed,

  With his tail he swept the sand-floor.

  There he lay in all his armor;

  On each side a shield to guard him,

  Plates of bone upon his forehead,

  Down his sides and back and shoulders

  Plates of bone with spines projecting

  Painted was he with his war-paints,

  Stripes of yellow, red, and azure,

  Spots of brown and spots of sable;

  And he lay there on the bottom,

  Fanning with his fins of purple,

  As above him Hiawatha

  In his birch canoe came sailing,

  With his fishing-line of cedar.

  "Take my bait," cried Hiawatha,

  Dawn into the depths beneath him,

  "Take my bait, O Sturgeon, Nahma!

  Come up from below the water,

  Let us see which is the stronger!"

  And he dropped his line of cedar

  Through the clear, transparent water,

  Waited vainly for an answer,

  Long sat waiting for an answer,

  And repeating loud and louder,

  "Take my bait, O King of Fishes!"

  Quiet lay the sturgeon, Nahma,

  Fanning slowly in the water,

  Looking up at Hiawatha,

  Listening to his call and clamor,

  His unnecessary tumult,

  Till he wearied of the shouting;

  And he said to the Kenozha,

  To the pike, the Maskenozha,

  "Take the bait of this rude fellow,

  Break the line of Hiawatha!"

  (Taken from Song of Hiawatha by Longfellow)

  Hallowed

  (Taken from Longfellow's Six Sonnets on the Divine Comedy by Dante)

  Oft have I seen at some cathedral door

  A laborer, pausing in the dust and heat,

  Lay down his burden, and with reverent feet

  Enter, and cross himself, and on the floor

  Kneel to repeat his paternoster o'er;

  Far off the noises of the world retreat;

  The loud vociferations of the street

  Become an undistinguishable roar.

  So, as I enter here from day to day,

  And leave my burden at this minster gate,

  Kneeling in prayer, and not ashamed to pray,

  The tumult of the time disconsolate

  To inarticulate murmurs dies away,

  While the eternal ages watch and wait.

  II

  How strange the sculptures that adorn these towers!

  This crowd of statues, in whose folded sleeves

  Birds build their nests; while canopied with leaves

  Parvis and portal bloom like trellised bowers,

  And the vast minster seems a cross of flowers!

  But fiends and dragons on the gargoyled eaves

  Watch the dead Christ between the living thieves,

  And, underneath, the traitor Judas lowers!

  Ah! from what agonies of heart and brain,

  What exultations trampling on despair,

  What tenderness, what tears, what hate of wrong,

  What passionate outcry of a soul in pain,

  Uprose this poem of the earth and air,

  This mediaeval miracle of song!

  (Henry Wadsworth Longfellow)

  Can’t Go Back

  Changed

  From the outskirts of the town,

  Where of old the mile-stone stood,

  Now a stranger, looking down

  I beheld the shadowy crown

  Of the dark and haunted wood.

  Is it changed, or am I changed?

  Ah! the oaks are fresh and green,

  But the friends with whom I ranged

  Through their thickets are estranged

  By the years that intervene.

  Bright as ever flows the sea,

  Bright as ever shines the sun.

  But, alas! they seem to me

  Not the sun that used to be,

  Not the tides that used to run.

  (Henry Wadsworth Longfellow)

  Note: There must be a gracious relinquishing of the things of youth. We strive, diet, exercise, take courses, venture upon new associations. But the changes that betray our former experience and capability are inevitable. The seeming simplicity and purity of those former things escape us now if we choose to re-visit. The eyes have changed; the heart has changed; the hopes have changed. There remains one compelling task. A yieldedness, and a preparation for eternity. Helping others in the same. And when that door opens, perhaps, just perhaps...the things of youth return.

  Justice in the End

  (Taken from the narrative poem Evangeline by Henry Wadsworth Longfellow. Villagers are discussing the mysterious arrival of English ships in the bay. Do they mean ill for the French residents of Grand Pre?)

  Then up rose from his seat by the fireside Basil the blacksmith,

  Knocked from his pipe the ashes, and slowly extending his right hand,

  "Father Leblanc," he exclaimed, "thou hast heard the talk in the village,

  And, perchance, canst tell us some news of these ships and their errand."

  Then with modest demeanor made answer the notary public --

  "Gossip enough have I heard, in sooth, yet am never the wiser;

  And what their errand may be I know not better than others.

  Yet am I not of those who imagine some evil intention

  Brings them here, for we are at peace; and why then molest us?"

  "God's name!" shouted the hasty and somewhat irascible blacksmith;

  "Must we in all things look for the how, and the why, and the wherefore?

  Daily injustice is done, and might is the right of the strongest!"

  But, without heeding his warmth, continued the notar
y public --

  "Man is unjust, but God is just; and finally justice

  Triumphs; and well I remember a story, that often consoled me,

  When as a captive I lay in the old French fort at Port Royal."

  This was the old man's favorite tale, and he loved to repeat it

  When his neighbors complained that any injustice was done them.

  "Once in an ancient city, whose name I no longer remember,

  Raised aloft on a column, a brazen statue of Justice

  Stood in the public square, upholding the scales in its left hand,

  And in its right a sword, as an emblem that justice presided

  Over the laws of the land, and the hearts and homes of the people.

  Even the birds had built their nests in the scales of the balance,

  Having no fear of the sword that flashed in the sunshine above them.

  But in the course of time the laws of the land were corrupted;

  Might took the place of right, and the weak were oppressed, and the mighty

  Ruled with an iron rod. Then it chanced in a nobleman's palace

  That a necklace of pearls was lost, and ere long a suspicion

  Fell on an orphan girl who lived as maid in the household.

  She, after form of trial condemned to die on the scaffold,

  Patiently met her doom at the foot of the statue of Justice.

  As to her Father in heaven her innocent spirit ascended,

  Lo! o'er the city a tempest rose; and the bolts of the thunder

  Smote the statue of bronze, and hurled in wrath from its left hand

  Down on the pavement below the clattering scales of the balance,

  And in the hollow thereof was found the nest of a magpie,

  Into whose clay-built walls the necklace of pearls was inwoven."

  Silenced, but not convinced, when the story was ended, the blacksmith

  Stood like a man who fain would speak, but findeth no language;

  All his thoughts were congealed into lines on his face, as the vapors

  Freeze in fantastic shapes on the window-panes in the winter.

  Evangeline

  A noble maritime heroine on the south shore of Fundy in Nova Scotia. Part of the rich French Canadian heritage, expelled by English from their happy farms and villages to remote parts of the New World – the Acadians.

  This young woman has just been pledged to the son of the village blacksmith, but alas, they become separated in the English arrangements to evacuate. Our heroine spends the entire body of the poem in the wake of her lover – swamps, tall forests, grasslands, native communities, bustling cities.

  Her hope is not lost, but eventually subdued to moderate temperature by the eventualities of her long journey. She comes to Philadelphia at the time of an epidemic and offers her services to some Sisters of Mercy in the hospices. She discovers her lover in the final throes of the disease and ministers to him, not in the throes of passion, but rather in the comforting sister’s touch of agape – God-like love. The story ends.

  This was a folk-tale first brought to the attention of novelist Nathaniel Hawthorne (The House of Seven Gables, The Scarlet Letter). His comment: ‘Only my friend Longfellow could write this story and do it justice.’

  The Village Blacksmith

  UNDER a spreading chestnut-tree

  The village smithy stands;

  The smith, a mighty man is he,

  With large and sinewy hands;

  And the muscles of his brawny arms

  Are strong as iron bands.

  His hair is crisp, and black, and long,

  His face is like the tan;

  His brow is wet with honest sweat,

  He earns whate'er he can,

  And looks the whole world in the face,

  For he owes not any man.

  Week in, week out, from morn till night,

  You can hear his bellows blow;

  You can hear him swing his heavy sledge,

  With measured beat and slow,

  Like a sexton ringing the village bell,

  When the evening sun is low.

  And children coming home from school

  Look in at the open door;

  They love to see the flaming forge,

  And hear the bellows roar,

  And catch the burning sparks that fly

  Like chaff from a threshing-floor.

  He goes on Sunday to the church,

  And sits among his boys;

  He hears the parson pray and preach,

  He hears his daughter's voice,

  Singing in the village choir,

  And it makes his heart rejoice.

  It sounds to him like her mother's voice,

  Singing in Paradise!

  He needs must think of her once more,

  How in the grave she lies;

  And with his hard, rough hand he wipes

  A tear out of his eyes.

  Toiling,---rejoicing,---sorrowing,

  Onward through life he goes;

  Each morning sees some task begin,

  Each evening sees it close;

  Something attempted, something done,

  Has earned a night's repose.

  Thanks, thanks to thee, my worthy friend,

  For the lesson thou hast taught!

  Thus at the flaming forge of life

  Our fortunes must be wrought;

  Thus on its sounding anvil shaped

  Each burning deed and thought.

 

  Thanks, thanks to thee, my worthy friend,

  For the lesson thou hast taught!

  Thus at the flaming forge of life

  Our fortunes must be wrought;

  Thus on its sounding anvil shaped

  Each burning deed and thought.

  Hearing the Wind and Drums

  In Song of Hiawatha the sound of the tom-tom accompanies the entire story through wanderings, friendships, courtship, warfare, spiritual struggle, husbandry, famine, grief and legend. It turned many Europeans on to the romance of the western forests, streams and native peoples. I read this work once after a summer of study of current aboriginal issues and attendance upon a thrilling local pow-wow. I had been so much in the dark! (Doug)

 

  The Slave’s Dream

  Beside the ungathered rice he lay,

  His sickle in his hand;

  His breast was bare, his matted hair

  Was buried in the sand.

  Again, in the mist and shadow of sleep,

  He saw his Native Land.

  Wide through the landscape of his dreams

  The lordly Niger flowed;

  Beneath the palm-trees on the plain

  Once more a king he strode;

  And heard the tinkling caravans

  Descend the mountain-road.

  He saw once more his dark-eyed queen

  Among her children stand;

  They clasped his neck, they kissed his cheeks,

  They held him by the hand!--

  A tear burst from the sleeper's lids

  And fell into the sand.

  And then at furious speed he rode

  Along the Niger's bank;

  His bridle-reins were golden chains,

  And, with a martial clank,

  At each leap he could feel his scabbard of steel

  Smiting his stallion's flank.

  Before him, like a blood-red flag,

  The bright flamingoes flew;

  From morn till night he followed their flight,

  O'er plains where the tamarind grew,

  Till he saw the roofs of Caffre huts,

  And the ocean rose to view.

  At night he heard the lion roar,

  And the hyena scream,

  And the river-horse, as he crushed the reeds

  Beside some hidden stream;

  And it passed, like a glorious roll of drums,

/>   Through the triumph of his dream.

  The forests, with their myriad tongues,

  Shouted of liberty;

  And the Blast of the Desert cried aloud,

  With a voice so wild and free,

  That he started in his sleep and smiled

  At their tempestuous glee.

  He did not feel the driver's whip,

  Nor the burning heat of day;

  For Death had illumined the Land of Sleep,

  And his lifeless body lay

  A worn-out fetter, that the soul

  Had broken and thrown away!

  (Henry Wadsworth Longfellow)

  Note: Longfellow wrote through and beyond the American Civil War, a war intended to right the oppression of slavery.

  Following Champlain

  It’s a good feel,

  And a painful,

  And I’m stiff and sunburnt too.

  And the camp is almost set now

  And the kids are howling “food”.

  It was in

  The open water,

  As they laughed and bent each back,

  That I knew the group was willing.

  Heading windward, tack by tack.

  I was looking

  For some cottage,

  Where the river mouth began.

  And they teased my indecision: